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What is Political Correctness
It Didn't Happen Over Night
Marxist Writers
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Next Conservatism: What Is
Cultural Marxism
By William S. Lind
October 25, 2005 Reprinted with authors permissionIn his
columns on the next conservatism, Paul Weyrich has several times
referred to "cultural Marxism." He asked me, as Free Congress
Foundation's resident historian, to write this column explaining
what cultural Marxism is and where it came from. In order to
understand what something is, you have to know its history.
Cultural Marxism is a branch of western Marxism, different
from the Marxism-Leninism of the old Soviet Union. It is
commonly known as "multiculturalism" or, less formally,
Political Correctness. From its beginning, the promoters of
cultural Marxism have known they could be more effective if they
concealed the Marxist nature of their work, hence the use of
terms such as "multiculturalism."
Cultural Marxism began not in the 1960s but in 1919,
immediately after World War I. Marxist theory had predicted that
in the event of a big European war, the working class all over
Europe would rise up to overthrow capitalism and create
communism. But when war came in 1914, that did not happen. When
it finally did happen in Russia in 1917, workers in other
European countries did not support it. What had gone wrong?
Independently, two Marxist theorists, Antonio Gramsci in
Italy and Georg Lukacs in Hungary, came to the same answer:
Western culture and the Christian religion had so blinded the
working class to its true, Marxist class interest that Communism
was impossible in the West until both could be destroyed. In
1919, Lukacs asked, "Who will save us from Western
civilization?" That same year, when he became Deputy Commissar
for Culture in the short-lived Bolshevik Bela Kun government in
Hungary, one of Lukacs's first acts was to introduce sex
education into Hungary's public schools. He knew that if he
could destroy the West's traditional sexual morals, he would
have taken a giant step toward destroying Western culture
itself.
In 1923, inspired in part by Lukacs, a group of German
Marxists established a think tank at Frankfurt University in
Germany called the Institute for Social Research. This
institute, soon known simply as the Frankfurt School, would
become the creator of cultural Marxism.
To translate Marxism from economic into cultural terms, the
members of the Frankfurt School - - Max Horkheimer, Theodor
Adorno, Wilhelm Reich, Eric Fromm and Herbert Marcuse, to name
the most important - - had to contradict Marx on several points.
They argued that culture was not just part of what Marx had
called society's "superstructure," but an independent and very
important variable. They also said that the working class would
not lead a Marxist revolution, because it was becoming part of
the middle class, the hated bourgeoisie.
Who would? In the 1950s, Marcuse answered the question: a
coalition of blacks, students, feminist women and homosexuals.
Fatefully for America, when Hitler came to power in Germany
in 1933, the Frankfurt School fled - - and reestablished itself
in New York City. There, it shifted its focus from destroying
traditional Western culture in Germany to destroying it in the
United States. To do so, it invented "Critical Theory." What is
the theory? To criticize every traditional institution, starting
with the family, brutally and unremittingly, in order to bring
them down. It wrote a series of "studies in prejudice," which
said that anyone who believes in traditional Western culture is
prejudiced, a "racist" or "sexist" of "fascist" - - and is also
mentally ill.
Most importantly, the Frankfurt School crossed Marx with
Freud, taking from psychology the technique of psychological
conditioning. Today, when the cultural Marxists want to do
something like "normalize" homosexuality, they do not argue the
point philosophically. They just beam television show after
television show into every American home where the only
normal-seeming white male is a homosexual (the Frankfurt
School's key people spent the war years in Hollywood).
After World War II ended, most members of the Frankfurt
School went back to Germany. But Herbert Marcuse stayed in
America. He took the highly abstract works of other Frankfurt
School members and repackaged them in ways college students
could read and understand. In his book "Eros and Civilization,"
he argued that by freeing sex from any restraints, we could
elevate the pleasure principle over the reality principle and
create a society with no work, only play (Marcuse coined the
phrase, "Make love, not war"). Marcuse also argued for what he
called "liberating tolerance," which he defined as tolerance for
all ideas coming from the Left and intolerance for any ideas
coming from the Right. In the 1960s, Marcuse became the chief
"guru" of the New Left, and he injected the cultural Marxism of
the Frankfurt School into the baby boom generation, to the point
where it is now America's state ideology.
The next conservatism should unmask multiculturalism and
Political Correctness and tell the American people what they
really are: cultural Marxism. Its goal remains what Lukacs and
Gramsci set in 1919: destroying Western culture and the
Christian religion. It has already made vast strides toward that
goal. But if the average American found out that Political
Correctness is a form of Marxism, different from the Marxism of
the Soviet Union but Marxism nonetheless, it would be in
trouble. The next conservatism needs to reveal the man behind
the curtain - - old Karl Marx himself.
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William S. Lind is Director for the Center for Cultural
Conservatism of the Free Congress
Foundation. http://www.gopusa.com/commentary/guest/2005/wsl_1025p.shtml |